THE DEBUT ALBUM
45th ANNIVERSARY FOUR-DISC SUPER DELUXE EDITION
RELEASED BY VIRGIN EMI / UMC ON 2nd February 2018

“When you’ve heard (and seen) them their name becomes self-explanatory”
Original Island Records 1972 press release for the album

Four-disc 12 x 12 Super Deluxe Edition featuring previously unreleased demos, outtakes, radio sessions, rare footage, 136-page book and the whole album remixed in 5.1 by Steven Wilson.
Also available as Deluxe 2CD set with 24-page booklet / 2CD Digital / 180GM Vinyl LP

Every so often an album comes along that changes not just the rules but the game, opening new possibilities for music. In America in the late 1960s, ‘The Velvet Underground & Nico’ was one such record. And in Britain, released on June 16th, 1972, the self-titled debut album by Roxy Music would be another.

From the first lines of the opening track ‘Re-Make/Re-Model’ “I tried, but I could not find a way, looking back all I did was look away” to the final “Should make the cognoscenti think” lyric of the closing song ‘Bitters End’ it was immediately clear that Roxy Music’s first record was an album like no other.

By the time the album was released the band had less than ten gigs to their name, they had no two tracks in their repertoire that were alike and critics simply couldn’t pin down their influences. As Richard Williams said at the time in Melody Maker “If Roxy Music go very much further, they'll be one of the great success stories of modern times.”

45 years later, with the group’s involvement, we get an opportunity to assess the album and listen as Roxy evolved and developed. The box set provides a thrilling insight into the world of Roxy Music in 1971/1972 starting with the demo tape that caught the attention of writer Richard Williams that ultimately led to their deal with EG Management and then Island Records.

Included are the John Peel BBC Sessions which saw the group honing their craft as they prepared to record their debut album. The second CD in the set captures something very special with unheard glimpses into Roxy’s working methods in the studio. Alternate session versions are offered for every album track, plus their first single, Virginia Plain.

The original album is presented in the 1999 Bob Ludwig master, while the remainder of the audio has been mastered by Frank Arkwright at Abbey Road.

The DVD includes promos and BBC TV appearances as well rare footage of Roxy at the Bataclan Club in Paris in November 1972, the only surviving visual document of this line up live on stage. To round off the audio/visual elements of the set, lifetime admirer Steven Wilson has mixed the album into 5.1 DTS 96/24 and Dolby AC3 Sound.

The box set also contains a 136-page book featuring many rare and previously unpublished photographs, and an essay by aforementioned Guardian journalist and author Richard Williams, the man who first wrote about the group in Melody Maker in 1971.

Speaking today about the band’s debut guitarist Phil Manzanera commented “At 21, my musical dreams came true, recording this album with these wonderfully talented and unique band members. Magical times, magical music”.

Saxophonist Andy Mackay recalls “Late 71/72 Roxy was our Arts Lab. The place where we exchanged ideas and dreams freely and created and explored a new sound landscape. We stepped into Command studios with a complete album in our heads (and half the next one) and it only needed the tape to start running…no album was as easy to record again”.

Drummer Paul Thompson: “The first Roxy Music album was my opportunity to create. I wasn't used to this type of line-up, I was used to being in guitar-based bands but always wanted to broaden my horizons and here was my chance. A landmark in the history of pop!”

Looking back on the album Bryan Ferry reflected: “We never really felt accepted, I can see how the old guard would have felt threatened by it, because it was so jammed full of ideas and a massive amount of energy. But we hadn’t paid our dues, not in the same way. And we’re still not a part of it, not really, even to this day. That’s been very hard over the years, to try and make it work without being one of them. The ‘them’ is always different, but we’re not part of it. It’s been one of the triumphs, that we’ve managed to stay sane. Or sane-ish. We’re a part of it all, somehow, but still on the outside.”

Disc one - the album

  • Re-Make/Re-Model
  • Ladytron
  • If There Is Something
  • Virginia Plain
  • 2 H.B.
  • The Bob (Medley)
  • Chance Meeting
  • Would You Believe?
  • Sea Breezes
  • Bitters End

Disc two

    DEMOS & OUT-TAKES

  • EARLY DEMOS April/May 71
  • Ladytron
  • 2 H.B.
  • Chance Meeting
  • The Bob (Medley)

    ALBUM OUT-TAKES

  • Instrumental
  • Re-Make/Re-Model
  • Ladytron
  • If There Is Something
  • 2 H.B.

      

  • The Bob (Medley)
  • Chance Meeting
  • Sea Breezes
  • Bitters End
  • Virginia Plain

Disc three - the bbc sessions

  • THE PEEL SESSIONS 4/1/72
  • If There Is Something
  • The Bob (Medley)
  • Would You Believe?
  • Sea Breezes Re-Make/Re-Model
  • THE PEEL SESSIONS 25/5/72
  • 2 HB
  • Ladytron
  • Chance Meeting
  • THE PEEL SESSIONS 25/5/72
  • Virginia Plain
  • If There Is Something
  • BBC IN CONCERT 3/8/72
  • The Bob (Medley)
  • Sea Breezes
  • Virginia Plain
  • Chance Meeting
  • Re-Make/Re-Model

DVD

  • The full album remixed in 5.1 by Steven Wilson
  • VIDEOS
  • Re-Make/Re-Model
  • The Royal College Of Art, 6/6/72
  • Ladytron
  • The Old Grey Whistle Test, 20/6/72
  • Virginia Plain
  • Top Of The Pops, 24/8/72
  • Re-Make/Re-Model
  • Full House, 25/11/72
  • Ladytron
  • Full House, 25/11/72
  • Would You Believe
  • French TV, Bataclan, Paris,
  • 26/11/72 If There Is Something
  • French TV, Bataclan, Paris,
  • 26/11/72 Sea Breezes
  • French TV, Bataclan, Paris,
  • 26/11/72 Virginia Plain
  • French TV, Bataclan, Paris,
  • 26/11/72